Phantom cine toolkit for windows3/30/2023 ![]() ![]() During this 5 second “switchover” the word “loading” is on the camera menu. The camera must load the files for playback, which takes about 5 seconds. Video playback from the camera body: The camera body will allow for HDSDI video playback of the ProRes files, however it’s a little different than working with RAW. Over 5 hours of 24 fps ProRes HQ footage can be stored on a 2TB CineMag IV. The files in the mag are about 2.5X smaller than the un-interpolated RAW files, and take that much shorter to save from the camera or CineStation IV. CineMag IV-PRO mags are much faster, and actually the save time is equal to saving RAW. Saving in ProRes HQ mode takes about 3 times longer to the CineMag IV than saving RAW. In LOOP mode, the camera will allow up to 938 fps to RAM, before the file is saved to the CineMag. 2K ProRes recording at higher frame rates is also available on the CineMag IV-PRO. In LOOP mode, you can still capture to RAM at other resolutions, but the recording will default to RAW when saved to the CineMag.įrame rates and save times: In Run/Stop (RS) mode the camera will allow up to 30 fps direct to a CineMag IV, and 120 fps with a CineMag IV-PRO. The CineMag IV will not support any other resolutions to record when set to ProRes. ProRes files can be saved to the CineMag as 4K or scaled 2K resolution. Resolution: When working with ProRes, the camera must be set to full sensor resolution 4096 x 2304 (however - when using CMIV-PRO 2048 x 1152 is also available). The newer CineMag V does not support this feature. Hardware: CineMag IV and CineMag IV-PRO mags are required for ProRes recording. Select between Cine Raw (Packed 10) and ProRes 422 HQ as format options. ![]() ![]() Activate ProRes recording using the CineMag menu on the Flex4K or in the Flash Memory menu in PCC. ![]()
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